The Ocean of Possibilities Zine is finished!
It was available to contributors and patrons a couple days early, and is now publicly available for today, Wednesday, September 23, Bi+ Visibility Day!!
An Ocean of Possibilities is a zine by Tiffany Sostar, with contributions by:
Sheri Osden Nault
Julene Tripp Weaver
I’m not sure how to introduce these essays, poems, comics, and fiction, and, like everyone else, I am swimming in the cold waters of exhaustion and overwhelm. Bi+ Visibility Day lands 6 months into the novel coronavirus pandemic. Every one of the contributors to this zine, from Aoife in Ireland to the folks in the US and those of us in Canada, are affected by the pandemic.
Search for “bisexual health outcomes” and you’ll find years of studies that demonstrate that, as the HRC puts it, “bisexuals face striking rates of poor health outcomes” (you can read the Health Disparities Among Bisexual People brief here).
And we know that the pandemic has already highlighted multiple systemic health and social inequities. The economic impact, the differential access to health care – none of these fall equally on different communities. Fat folks have faced significant increase in fatphobic discourse during the pandemic. Women are bearing the majority of the increased burden of childcare and at-home education. Black, Indigenous, and brown communities are seeing the pre-existing unequal access to health care and social support escalate.
And it is not just the pandemic that impacts these (and so many other) communities. Overt acts of racist violence are more frequent – white supremacy and colonialism lashing back at those who are protesting. The pandemic arrived in Canada as the invasion of Wet’suwet’en was ongoing, and as the pandemic crosses the half year, more colonial violence is being enacted on Mi’kma’ki – coast to coast, Canada has escalated the violence against Indigenous communities. In the US, police violence (in response to protests against police violence!) has been going on for months.
In Alberta, where I live, Bi Visibility Day comes as disabled Albertans are under increasing and aggressive threat, as our government cuts funding from the most vulnerable.
These issues matter on Bi+ Visibility Day because the bi+ community includes fat folks, women, Black, Indigenous, and brown folks. The bi+ community includes parents, and folks who are living alone. This community includes trans and non-binary folks, disabled folks, poor folks, homeless folks. This community includes folks with difficult relationships to substances, and folks who have experienced trauma, and folks who are experiencing trauma right now.
Every issue of justice is an issue that matters for this community, and when we ignore any part of this community – when we forget that this community includes all of these intersections, includes every intersection! – we just recreate the harms that are already happening.
So, how do I introduce a zine into this context that is so overwhelming?
I think, first, by acknowledging that it is overwhelming.
And then, perhaps, by also acknowledging that despite these daunting realities, there is also a resilience, a persistence, a revolutionary ongoingness within this community.
It is worth celebrating our lives and our experiences.
It is worth being visible, today and every other day.
The pandemic, the colonial machine, the vice-grip of capitalism, the clenched fist of patriarchy – these things are not more meaningful than this community.
We exist within these hostile waters.
We exist, and we have always existed, and we will continue to exist.
We are jellyfish – you can find us in every ocean, in every part of the ocean.
The pieces of writing in this zine touch on issues of aging, parenting, and navigating relationships (with others, with communities, and with selves). They include poetry, essays, fiction, and art.
Multiple essays address the tensions between bisexual and lesbian spaces, and the questioning of “queer enoughness”.
This zine is not representative of the entire bi+ community. There are so many intersections missing in these 32 pages, so if you read this zine and find it interesting or inspiring or encouraging, I hope that you go out and find more.
We are here in every space.
We are telling our stories.
We are visible, not just today but everyday, if you know how to see us.
By Marlena Chertock
Hebrew, it would have been enough
I say to
day you are
It is so
own self down.
Not strong, not
not a real
deep down, I
know the truth:
Jocelyn LaVon is an A++ parent, friend, and community member. (This bio was written by Tiffany, not Jocelyn.)
Candice Robinson-Horejsi (Calgary, Canada). Wife, mother, engineer, NaNoML, writer, runner, knitter, nerd. Candice wears many metaphorical hats. You can find out more here: candicerobinson.ca
Gloria Jackson-Nefertiti is a breast cancer survivor, public speaker, workshop leader, panelist, artist’s model, published poet and soon to be published memoirist. You can find her on Facebook and Instagram as GloriaJacksonNefertiti, and on Twitter as @gloriajn. She lives in Seattle, WA.
Aoife Byrne is an artist living in Dublin, with her Partner and two Pups. She focuses on illustration, photography, animation or a combination in her work. She loves cosplay, choirs and dancing.
Sheri Osden Nault is an artist of Michif and mixed European descent, whose art practice and research are grounded in queer, feminist, and Indigenous world-views. Osden lives in Tkaronto on the traditional territory of the Haudenosaunee, Wendat, and Mississaugas of the Credit First Nations, under the Dish with One Spoon Wampum Belt Covenant, which precedes colonial treaties on this land. Through their work they strive to elicit a sense of social and ecological responsibility to one another on a damaged planet.
Marlena Chertock has two books of poetry, Crumb-sized: Poems (Unnamed Press) and On that one-way trip to Mars (Bottlecap Press). She uses her skeletal dysplasia as a bridge to scientific writing. Marlena is a bisexual writer and serves on the planning committee of OutWrite, Washington, D.C.’s annual LGBTQ literary festival. Her poems and short stories have appeared in Breath & Shadow, The Deaf Poets Society, The Little Patuxent Review, Noble/Gas Quarterly, Paper Darts, Rogue Agent, Stoked Words, Wordgathering, and more. Find her at marlenachertock.com and @mchertock.
Julene Tripp Weaver, a native New Yorker, is a psychotherapist and writer in Seattle. Her book, truth be bold—Serenading Life & Death in the Age of AIDS, was a finalist for a Lambda Literary Award, and won the Bisexual Book Award. www.julenetrippweaver.com. Twitter: @trippweavepoet
Jan Steckel’s latest book Like Flesh Covers Bone (Zeitgeist Press, December 2018) won two Rainbow Awards (for LGBT Poetry and Best Bisexual Book). Her poetry book The Horizontal Poet (Zeitgeist Press, 2011) won a Lambda Literary Award for Bisexual Nonfiction. Her fiction chapbook Mixing Tracks (Gertrude Press, 2009) and poetry chapbook The Underwater Hospital (Zeitgeist Press, 2006) also won awards. Steckel moderates the Facebook group Bi Poets and is an active member of the Bay Area Bi+ and Pan Network. She lives in Oakland, California, USA with her husband Hew Wolff, host of Berkeley BiFriendly.
This zine was initiated and formatted by Tiffany Sostar for Bi+ Visibility Week 2020. Tiffany is a writer, editor, community organizer, tarot reader, course instructor, and narrative therapist. They are bisexual, non-binary, and chronic-pain enhanced. You can find them online at tiffanysostar.com and foxandowltarot.com or email them at email@example.com. You can support their work by picking up this zine, enrolling in An Unexpected Light, booking a narrative therapy session or tarot reading, hiring them to facilitate a workshop for your group, or backing their Patreon at patreon.com/sostarselfcare.