#100LoveLetters

#100LoveLetters

Every summer, attendance at my Writing in the Margins workshops dwindles as people head out on vacation or hide from the heat. This year, like most years, the workshops will be on hiatus for the summer.

This year, unlike every previous year, I’ve got something planned to keep us writing through the summer.

The #100loveletters challenge starts June 21, and is open to anyone, at no charge!

It’s really easy, and really hard – for 100 days, from June 21 to September 29, write yourself a love letter. It can be short, it can be long, it can be a stick figure or a sonnet or a flower or a song. Share your pictures, comments, thoughts, and stories in the hashtag on Facebook, Twitter, Instagram, or in your blog, and find a community of people practicing a summer of daily self-love.

You can join the email list to receive writing prompts, encouragement, and success stories.

A Wrinkle in the Plan: Self-Care and Ageing Part 2

A Wrinkle in the Plan: Self-Care and Ageing Part 2

(Image is from gratisography.)

This is (sort of) a Patreon reward post. At $5 support per month, you, too, can have a personalized post on the topic of your choice during your birthday month! Because this topic ended up generating so much meaningful discussion about ageing, rather than trying to cram everything into a single post I have expanded it into a three-part series. All substantial blog posts are released to Patreon patrons one week early.

This is Part Two of the three part series. In Part One, we talked about the fear of ageing, and how to care for ourselves through those fears. Part Two is about the joys of ageing. Part Three, on the topic of fear of death and end-of-life preparation, will be next.

I struggled with writing this second post in the series. So often, an acknowledgement that joy is possible becomes weaponized – rather than gesturing towards a possibility, joy becomes an obligation.

Because so much of our culture, particularly in the self-help and self-care communities, focuses so hard on “manifesting” positive outcomes through positive attitudes, with the corollary victim-blaming coming along for the ride, I find myself hesitating even to talk about joy for fear of how it will be interpreted and how it could be turned as a weapon against the vulnerable, the hurting, the fearful among us.

The vulnerable, the hurting, the fearful – these are my people. Although I am a playful, sparkly, joyful person, I identify strongly with the parts of me that are almost always fearful, almost always hurting. My joy is a sparkle in the dark, rather than the other way around.

And so, part of my resistance to this second post was also my own cognitive distortions – my tendency towards all-or-nothing thinking (if joy is possible, then joy is always right and fear is always wrong!); my internalized victim-blaming (if I could just be happy, then I would be happy!); my fear of joy. Brené Brown writes, “I think the most terrifying human experience is joy. It’s as if we believe that by truly feeling happiness, we’re setting ourselves up for a sucker punch. The problem is, worrying about things that haven’t happened doesn’t protect us from pain.”

Although Brené Brown’s description of fearful joy is not universal, it certainly does ring true for me, and is part of why I often hesitate to embrace joy in my own life. Letting go of the fear feels as if it will open me up to tragedy. If I am constantly afraid, maybe I won’t end up hurt?

But is it not possible to fully engage with the range of responses I got from people without engaging with the joy that some of them expressed. The anticipation. The freedom that they saw in ageing, and the carefree delight of it. An honest engagement with my research means pushing through my anxiety and digging into this rich and uncomfortable soil – the terrifying possibility that joy is lurking.

What I learned from the generous responses of the people I spoke with is that ageing isn’t all bad, and our relationship with ageing doesn’t have to be one of fear and dread. This is true despite the fact that many fears that people expressed are completely valid and grounded in the reality of ageism (and the many other intersections of marginalization that exacerbate the impact of ageism), as well as real economic and social threats. Some people are able to see the positive sides of ageing, regardless of the scary things.

This joyfulness is not solely the realm of the privileged. There are people facing sexism, racism, cissexism, binarism, ableism, sizeism, and many other marginalizations who still find joy in the idea of ageing, and there are many people with various privileges who view ageing with significant fear. It’s important to acknowledge that each person responds to situations in their own individual ways, informed by their culture and family of origin, their available resources (including social, emotional, mental, and material resources), and with their own unique outlook. There is no “right” or “wrong” way to approach ageing – the fear is valid, and so is the joy.

And, importantly, the fear and joy often coexist.

Emily, who also talked about fearing increased pain and loss of mobility, says, “I call grey hairs wisdom strips and love getting older and feeling more content to be myself. The growing invisibility works well with my personality too.”

Although Tammy expressed anxiety about losing physical and mental abilities and being on the receiving end of our culture’s abysmal elder care (such a common, and reasonable, fear), she also said, “On the positive side, I menopaused at 47 and am quite happy with it. I also love being able to do whatever I want as my kid is now an adult, I have no partner, and I don’t give a flying f*** what anyone thinks.”

Similarly, Nicole talked about fearing loss of mobility, but started by saying, “I quite enjoy getting older now, as I feel like I’m at the stage where I’m becoming the person I want to be, someone I (mostly) like.”

That sense of confidence and self-assurance was a theme in a lot of the joyful responses, and it makes sense. One of the benefits of ageing can be a more solid sense of self, and less concern with what other people think about you.

Nadine’s comment exemplifies this. She says, “I enjoy getting older a lot. Possibly because I don’t associate my childhood and teen years with the kind of vitality most people ascribe to “youth”. I wasn’t a particularly strong, healthy, nimble or attractive to my peers as a child or during my teens. I didn’t have much control over my circumstances. I had strong instincts but lacked the maturity, intellectual skills and verbal ability to articulate or even fully understand what those feelings were about.

The more time passes, the more I understand my mind and my body. I know a lot more about how to take care of myself and my health. I’ve accepted what I look like. I can express my inner thoughts and emotions. I have some agency in my life. I don’t love how crunchy my knees are, but apart from that, getting older is my jam!” (Nadine is a fantastic sex educator, and specializes in supporting sex positive families – coaching parents and providing resources for kids.)

Margaret also expressed joy at feeling more confident. She says, “I’m turning 44 this year. Not afraid of aging. Kind of enjoying being treated less like a sexual object and more like a social subject. Increasingly feeling competent and confident. Slightly afraid symptoms associated with aging (physical problems, etc.). A little vain about how I look as I age, but finding a style that works for me.” (Margaret is an academic activist, and when I was but a wee little researcher and had recently come out, finding her Introduction to Bisexual Theory syllabus online changed the trajectory of my academic career, and started the journey that led to my community activism.)

Andrea says, “I know I’m still quite young, but aging is something that I’ve really enjoyed. Physically and mentally, I’ve never felt a desire to go back and even tho the future is daunting sometimes it’s something I constantly crave. Physically (this is what I hear emphasized a lot from people in my life) I’m not in a hurry for things like grey hair and wrinkles but my impression of them is that when they do come I will have earned them. I think they’re cute and, like, stretch marks or scars, they’re a sign that your body has existed in time and space, and has been literally shaped by experiences.”

I really love the idea that the inevitable signs of ageing can be “sign[s] that your body has existed in time and space, and has been literally shaped by experiences” fits to beautifully with my own narrative approach to self-understanding. Grey hair (which I’ve had since my teens) and wrinkles don’t bother me, but other changes in my body, particularly related to the fibromyalgia, have really bothered me. I sat with the idea of these changes being signs of my body being marked by my time here, and although I’m still pondering it, I do think there’s something valuable in the idea.

I’m conscious of the impact of trauma on the body, and how adverse childhood experiences and histories of abuse can impact our bodies. It’s one of the things I work on in my writing workshops and coaching sessions, and it’s something I’m very interested in in my own life. Although I’m not sure where this little thread of thought will end up, I wonder if there some valuable restorying that can happen if we take our bodies’ responses to trauma and see them as signs of existence and experience.

Another factor in finding joyfulness in ageing has to do with our exposure to old people and to the process of ageing. Being around old people is one way to reduce our fears of ageing, and to recognize that life does continue past the wrinkles and walkers. (Again, this is not always true. A traumatic experience with witnessing ageing might have the opposite effect.)

Another Margaret says, “Growing up I was very close to my grandfather who is vibrant and alert and still working up until very sudden death the age of 86. My grandmother died she was 92. Ageing never seemed scary to me as they set an example of independence, connections with family friends and community, constant learning and enjoyment of life.”

A 2013 study into the perceptions of successful ageing among immigrant women from Black Africa in Montreal found that the old women identified four elements that they considered essential for successful ageing. These were social engagement, intergenerational relationships, financial autonomy, and faith.

Social engagement, intergenerational relationships, and financial autonomy are all linked to both the fears identified in Part One, and the joys identified here.

The 2014 paper, “Strategies for Successful Aging: A Research Update,” found that physical activity, cognitive stimulation, diet/nutrition, complementary and alternative medicine, social engagement, and ‘positive psychological traits’ were all correlated with a higher likelihood of ‘successful ageing’ (though this term itself is contested and complicated).

These ‘positive psychological traits’ include a wide range of qualities such as resilience, adaptability, and optimism, and the reason the range is so wide is because they are most often self-identified among people who consider themselves to be ‘successfully ageing.’

(Again, that flutter of anxiety that identifying these potential helpful traits will be turned into obligations and used to blame people for their own struggles. I think this fear is a side effect of doing so much reading in the self-help section as research for my work as a coach, and being bombarded so often with weaponized positivity!)

But rather than taking a prescriptive view of these helpful traits, I think that we can take a narrative approach and part of our self-care around ageing can include looking for the stories in our own histories that demonstrate resilience, adaptability, and optimism – the times when we bounced back, when we adapted to a new situation, when we kept our heads up despite the weight of discouragement and the times when we didn’t but we also didn’t stay down.

This feels important, because it gives the stories we tell about ourselves and about our psychological traits power and meaning, and we can change the stories that we tell even when we can’t change the situations around us. This does not mean that we can remove ourselves from the toxic soup of racism, sexism, ableism, ageism, cissexism, etc. with the power of our minds. But it may mean that we can mitigate some of the damage, and give the systems that want to destroy us a gleeful middle finger. (While also recognizing that financial security as a determinant of successful ageing is one of the cruelest things imaginable in our current context of late capitalism.)

So, what does that mean for our self-care practices?

I think that these stories of joy and anticipation can be an invitation to look for opportunities to view ageing differently. Our self-care can include intentionally looking for ways to engage with joyful approaches to ageing.

We can also start to examine our views of ageing, and look for the stories that we’ve internalized about the ageing process and about what it means to be older. Our fears are valid, but there is also joy possible.

We can try to incorporate more intentional social engagement, particularly across generational gaps, into our lives.

We can keep our brains active by allowing ourselves to be curious and enthusiastic about our interests.

And, I think, we can work at accepting our ageing bodies – seeing the beauty in these signs that our bodies have existed in time and space, and been shaped by our experiences.

Further reading:

Alyson Cole’s article, “All of Us Are Vulnerable, But Some Are More Vulnerable than Others: The Political Ambiguity of Vulnerability Studies, an Ambivalent Critique.” This paper is behind a (significant) paywall. If you have access to it through a library, it’s a worthwhile critique of vulnerability studies, and since I cite Brown in this post, it’s important to acknowledge and examine the ways in which her framework fails to do justice to complex issues.

On a similar theme, Rachel Cohen-Rottenberg’s essay, “Shame and Disconnection: The Missing Voices of Oppression in Brene Brown’s ‘The Power of Vulnerability’,” which is available freely on The Body is Not An Apology.

Nick Yee and Jeremy Bailenson’s article, “Walk A Mile in Digital Shoes: The Impact of Embodied Perspective Taking on the Reduction of Negative Stereotyping in Immersive Virtual Environments.” This is such an interesting study, with very cool implications for challenging our own negative stereotypes about a range of people, including elderly people. I would highly recommend reading this one.

Jeanne Holmes’ 2006 dissertation, “Successful Ageing: A Critical Analysis.” I haven’t read this whole dissertation, but I found parts of it very helpful in understanding the differences between how we conceive of successful ageing and how older people themselves experience it.

A Wrinkle in the Plan: Self-Care and Ageing Part 1

A Wrinkle in the Plan: Self-Care and Ageing Part 1

(Picture of Jonathan and Tiffany on Jon’s birthday.)

This is a Patreon reward post. At $5 support per month, you, too, can have a personalized post on the topic of your choice during your birthday month! Patreon posts are available to patrons one week early. (This post is late, because there were a few emergencies and illnesses in my life, and I appreciate Jon’s patience with me!)

Jonathan Griffith is one of my best friends, and has been one of my romantic partners for the last eight and a half years. Over the course of our relationship we have come out and explored bisexuality together, learned how to do polyamory together (cut our teeth on each other, and have the scars to prove it). Jon was also there when I came out as genderqueer, and together we navigated that tricky terrain of shifting identities. We also lived together for a few years, managed the phenomenal feat of transitioning out of living together while remaining partners, and I am confident that we will be in each other’s lives as loving partners for as long as we’re both kicking around in these corporeal forms. Which, I hope, will be quite a while longer.

And that brings me to Jon’s requested topic: self-care, narrative, and fear of ageing.

Similar to the emotional reaction I had to Red’s post request about self-care and navigating post-secondary and professional environments while struggling with chronic illness and mental health issues, Jon’s request touched on some of my own exposed nerves.

I consider myself fairly at peace with ageing – I am almost entirely grey at 35, and am okay with that. I like my wrinkles. My teen years were a bit of a trainwreck and I didn’t even have an orgasm until after my divorce. I often consider my life to have (re)started at 27. So, when I first approached this topic, I anticipated it being an easy write. Find some good posts to link, write about how to self-care ourselves through our fear, pat self on back, done.

But ageing is more than just grey hair and wrinkles and birthdays. The fears around ageing are more than simply superficial. Scratch at the surface of these fears, and some of the ugly aspects of our cultural fixations on youth-and-beauty, work, and individualism come quickly to the surface. Economic and social anxieties bubble within these fears, and as a result many people have a complex and fraught relationship with ageing (or with the changes ageing might bring). There are material fears – loss of mobility, beauty, the ability to work or move or think; there are social fears – loss of social standing, loss of community; there are existential fears – death. There are also joys associated with ageing. It’s complex.

I asked about people’s feelings about ageing on my facebook, and the responses flooded in. There were so many, and they touched on so many critical issues and divergent experiences, that I’ve decided to turn this post into a three-part series.

The first part of this series is directly related to Jon’s original request – the material and social fears of ageing. We’ll look at what people are afraid of, and introduce some self-care tips for navigating those fears.

The second part of the series will address the joys of ageing.

And the final part of the series will address fear of death, and end-of-life preparation.

So, let’s dive into this complex topic!

We’ll start with one of the most commonly discussed fears of ageing – fearing the loss of attractiveness and desirability. This fear seems to disproportionately impact folks who are not allowed to look old or to lose their conventionally attractive physical features – where straight men may be given more leeway to age visibly, queer men and women, as well as non-binary individuals, are given much less flexibility to age in public. (This is not to imply that straight men don’t face unrealistic body expectations, only that there are cultural templates available for men to age visibly, that do not exist with the same frequency and diversity for queer men or people of other genders. Race and class also impact the willingness of society to grant a person the right to age visibly.)

Speaking specifically about this fear, Collin said, “I find as a queer cis-man that, although I try to resist it, so much of my value comes from being seen as attractive and so many of the messages within cis-male queer circles focus on older men being less attractive and therefore worth less so despite all my efforts to reject those notions, I still encounter the constant micro aggressions aimed at men of my age and older and I find myself succumbing to those feelings of questioning my worth as I age.”

Lyn echoed Collin’s fears: “I never used to be afraid of aging.. Now I’m very afraid. I’m approaching 40 and it makes me sick to my stomach. I find I’m stuck in the bullshit narrative that women have an expiry date. I’m no longer young and pretty. I’m not fit or slender… I have grey hair and I’m starting to see wrinkles and my skin is losing elasticity and a hundred million other details I can see every day in the mirror. I feel more and more obsolete.”

These fears may seem superficial, but there are real concerns underlying them.

Both Lyn and Collin’s concerns about desirability are echoed in Saryn’s fear. She said, “I’m afraid of losing respect and opportunities.” And it is all too true that women often do lose respect and opportunities as they’re seen to age. The expectation of youth and beauty extends beyond romantic relationships and is present in every aspect of our lives, with respect being doled out differentially along lines of race, class, ability, and body type, among others. These fears intersect with anxieties about being the “right” kind of fat person, the “right” kind of minority, the “right” kind of disabled person. And the “right” kind of person in any of these marginalized groups is always young and physically attractive, or has aged enough to be a cute old person.

There are times when we are allowed to have aged, but the act of aging itself, of being in transition between the states of “cute and young” and “cute and old,” is something to hide. And there is no guarantee that you will end up at “cute and old.” You are just as likely to end up not cute, facing the kind of pervasive ageism that leaves so many seniors socially isolated and struggling with intense loneliness and lack of intimacy.

Jonathan touches on this issue of hiding the ageing process when he says, “I think my fear is related to the way we treat our elders in our culture.  Older folks aren’t valued.  At best, we try to keep them out of sight until they die.  At worst, we actively treat them poorly.  Youth is idolized while age is seen as a liability.  There are very few positive representations of age in our media.  If there are famous old people, they became famous while they were young (and “beautiful”).  Given how little we value our elders and given how much we prioritize youth over age, it’s REALLY hard to shake the internalized ageism that builds up.  It’s a fear of becoming undesirable, of becoming forgotten, irrelevant.”

So, while many of these fears are related to appearances, they’re tied to fear of losing access to social supports and resources. Fears regarding the superficial physical changes that accompany aging are so deeply ingrained in our culture, and we grow up surrounded by a toxic fog of anti-ageing sentiment. This is exemplified in Rhonda’s statement that, “I hate that I’m looking like I’m aging … [I] shouldn’t feel that way ‘cause it was imposed upon me. But, still… I’m very afraid of it, and I hate it. Makes me sad. Not that aging was imposed upon me, but the belief that aging is bad and the feelings that go along with that.”

Michelle echoed Rhonda’s frustration with fearing ageing even though she recognizes that the fear doesn’t line up with how she wants to see herself. ““I like to think I don’t have a fear of aging, but.. I turned 40 and was shocked/hurt that my optometrist would even suggest after my eye exam that I needed bifocals. I literally needed a few weeks to digest that. I talked to an older friend that clearly had them, told me that sooner or later I will be tired of taking off and on my reading glasses. I had another friend get “progressives” and she told me that she seen a reduction in headaches.

I have accepted that I should get them, the blue filter, etc but after seeing the price, I had to start all over again with the “as if I need these” conversation I have been having with myself.” (Michelle is an amazing Indigenous woman running for Ward 10 in Calgary, Alberta. She’s worth supporting!)

Even when we recognize that the fear is imposed on us, and that the physical changes are inevitable, it’s difficult to move past them. Especially because while some of the changes related to ageing are aesthetic, many of them aren’t. Many people talked about their fears around losing physical ability.

Lyn said, “My body hurts, and creaks.. I’m sore every day. I’m trying to get fit, but it seems like an impossible goal due to all the things wrong with me, and the loss of youthful resiliency on top of it.”

Lost resiliency was also a concern for Rebecca, who said, “I am not afraid of this stage of aging (I’m 50). Nor am I afraid of dying (would prefer not to for at least 30 years or so). But I am afraid of how my body will break down, things I will lose of myself, in about 30 years. I realize today how much care I have to take of my body, how fragile it really is, and how if I don’t build resilience today, I’ll pay with pain tomorrow. And I’m afraid that the things I need to do to heal my body today, I just plain suck at doing. That dynamic of feeling not in control of my body because of the laziness of my mind is a hard one to navigate.”

And the idea that we can build resiliency and have it keep us safe from pain and degeneration isn’t always the case. Although there are things we can do at any age to help reduce pain and increase mobility, strength, and resilience, none of these protect us from illnesses.

Reina says, ”I didn’t used to be afraid of ageing before becoming chronically ill. Even though I don’t plan on having children, I figured I’d be able to do all of the things you’re supposed to do to provide for yourself in retirement and beyond. After becoming ill 5 years ago, I’m much more afraid of ageing. I’m unable to work due to ME/CFS. So financially getting older is scary, but also my health is poor now and I’m only 31. I worry that by the time I get much older my health will be horrid, I’ll be at much higher risk of bone density issues etc. I try my best to accept it and hope for the best, but it’s very scary sometimes.”

Emily also has a chronic (and degenerative) condition, and it impacts how she views ageing. “I call grey hairs wisdom strips and love getting older and feeling more content to be myself. The growing invisibility works well with my personality too. Could do without the degenerative disorder and I do fear increased pain/loss of mobility as it’s escalated a lot over last decade: definitely more scared of pain than death. If I could have the ageing without the pain, that would be ideal (ironically, EDS is joked about as having the face of a youngster and body of an OAP. Sometimes it would be handy to be aging more visibly as people often equate appearance of youth with health. ‘You don’t look sick.’) Fear of future instability can lead to anxiety in the present (I think finance feeds into this lots too – & fear of losing independence.) I try to channel it into doing physio to help delay progression/trying to do as much as I can when I can while I still have the option (with pacing – though getting that right can be a challenge with ever-changing condition).”

I, also, have a chronic pain condition that changed my perspective on ageing. Knowing that my body is already experiencing reduced mobility and flexibility does influence how much anxiety I feel about ageing.

Lost mobility is crushing, whether through chronic pain, illness, or ageing.

Nicole says, “I quite enjoy getting older now, as I feel like I’m at the stage where I’m becoming the person I want to be, someone I (mostly) like. But hell yes I fear becoming aged. I cringe at the thought that I, who lives so much for the outdoors and exploration, could be reduced to [a shuffling] level of mobility. I count the years off in my head, wondering if I’ll make it to 60 before I start to feel it? 70? My back already aches pretty much all the time. And most of all, I fear the dementia I’ve seen my grandma experience—not knowing anyone anymore, living by a routine that if just slightly altered, produces massive confusion and agitation. When the fear gets particularly bad I pump myself up by thinking about all the advances in technology we’re making, and try to pretend that somehow I’ll be able to afford it.”

Nicole expressed anxiety about the internalized ageism in her views, but like Rhonda and Michelle, and Jon and Collin, these fears become so deeply ingrained.

But Gina, who works in elder care, said that most of the people she works with are at peace with their reduced mobility, especially when they are able to access social supports. I can attest to the fact that, although I absolutely do still resent the aching pain when I forget my limits and am too active for too long, for the most part, I have adapted. My walks are slower and shorter, but they’re no less calming or enjoyable.

Erin touches on another common fear, the fear of missing out. She says, “I don’t love aging. As time passes, I feel like before I know it, all of it will be over. I want to savour the moments, but then feel sad that they’re gone. There’s so much I want to do and see before I’m done, and the older I get, the farther it all feels.”

There are a lot of things to fear. And a lot of us quietly holding that fear inside.

So, how do we self-care ourselves through these fears?

Fixating on the fear is not helpful, but neither is denying that it’s real and present. It can help to discuss our fears, in safe spaces and with people who won’t judge or dismiss us. Giving a name to your feelings can make it easier to understand them and reframe them.

Visualizing a variety of potential futures can also help. Confirmation bias is a real thing, and being open to possibilities other than the one you’re certain will happen can help you see the other possible outcomes (and the steps that might get you there) the you otherwise could miss. (This story about a 63 year old “accidental fashion icon” is one delightful exception to the trend. The fact that she’s white, thin, able-bodied, still quite conventionally attractive, and cisgender are all relevant intersections.)

Along the same track, it can be helpful to identify your fears, and then identify specific alternatives. For example – “I am afraid I will be old and alone” could be countered with “I can cultivate intentional community at any age.”

Another tool is to trace the roots of your fears. Are there specific messages – either from the wider culture, or from people in your life – that are informing your fear? Are they reasonable or realistic? What underlies the fears?

Consider getting to know some old people. Seek out and spend time with the elders in your community – especially if you share a marginalization. Community care is self-care, and spending time with elders can help shift your perspective on ageing from a mysterious and terrifying process that happens behind closed doors, to one that is part of our human experience.

As with anything to do with self-care, bring awareness, compassion, and intention to your practice and you’ll find the way through.

In our next post in this series, I’ll be writing about the positive sides of ageing, and the experiences and perspectives of people who are enjoying and looking forward to the process.

Further reading:

Sally Knocker’s 2012 report: Perspectives on Ageing: Lesbians, Gay Men, and Bisexuals.

Jess Dugan’s phenomenal project: To Survive on This Shore, interviews and portraits of transgender elders.

A PBS article about this study into the effects of racism on ageing, and how facing discrimination can cause people of colour to age more quickly: Racism may accelerate aging.

Fat Heffalump’s introduction post to her Plus 40 Fabulous contributions, about the intersection of fat acceptance and ageing.

Ashton Applewhite’s This Chair Rocks anti-ageism project includes a book, blog, and a “yo, is this ageist?” feature.

Lisa Wade’s short article (with a link to the original Sontag essay): Beauty and the Double Standard of Aging. (Note on both this article and the linked essay: cisnormative af.)

Debora Spar’s essay on feminism and beauty standards (also cisnormative, casually classist – as I searched for these “further reading” resources I found myself so deeply frustrated that the intersections of class, race, ability, orientation… even in writing that is meant to challenge and liberate, only the most privilege voices among a marginalized group are heard): Aging and My Beauty Dilemma

Writing Towards Wholeness

Writing Towards Wholeness

This book is an invitation for you to use the simple act of writing as a way of reimagining who you are or remembering who you were. To use writing to discover and fulfill your deepest desire. To accept pain, fear, uncertainty, strife. And to find, too, a place of safety, security, serenity, and joyfulness. To claim your voice, to tell your story.  

 – Louise DeSalvo, Writing as a Way of Healing

This course, Writing towards Wholeness: Expressive Writing for Self-Care and Healing, extends DeSalvo’s invitation (and draws on her excellent work, along with the work of many other fantastic writers). The course starts on May 8, and runs until June 19. In these six weeks together, we will learn what expressive writing is, how to use it, and how to care for ourselves through the process of writing our difficult stories.

Each week will include video content, writing prompts, exercises, and a scheduled live chat. The course is designed to be modular – if you’re not interested in the behind-the-scenes lit reviews, discussion of the hows-and-whys, or extra information, you can skip the video content. If you’re just interested in learning about the topic and trying it out later, you can skip the prompts and exercises.

The course is capped at 10 participants, and I’ll be available for individual cheerleading, coaching, and that gentle butt-kick of accountability for each participant individually, in addition to the content available to the group. As of May 3, there are 4 spots still available.

The time commitment for the course is flexible, but you’ll get the most out of it if you can spend 10-20 minutes writing, 4-6 days per week, in addition to the few minutes it takes to read the emails. The video content will be anywhere from 3-15 minutes per week, and the live chat will be 45-minutes per week. With an investment of 1-2 hours per week, you should see some significant progress. And if you do every exercise and read every link and watch every video, you could spend 3-4 hours per week (though I have absolutely no expectation of that!)

The cost for the course is $60, with sliding scale available. It’s $45 for patrons of my Patreon, and it’s free for coaching clients.

If you’d like to sign up, email me!

Week One:

  1. Introduction to the course and the core resource books
  2. How expressive writing works (and the limits of its utility)
  3. Designing a self-care plan

In Week One, I’ll give you a mini review of the current state of the scientific research into the healing effects of expressive writing. Expressive writing has been studied as a tool for healing since the first paper was published on the topic in 1986, and there have been hundreds of studies since. We won’t talk about all of those studies, but I’ll give you a brief overview to help ground you in the science behind the practice. We’ll also talk about the limits of expressive writing, and alternatives to writing. Drawing, dancing, mind-mapping, and other artistic forms of expression are welcome, and we’ll touch on the research that supports their benefits. In Week One, we’ll also bump up against the limits of the research. The fact is that we don’t know why expressive writing does and doesn’t work, and although we’re getting closer to answers, they’re still in the future.

You’ll also begin to design a personalized self-care plan in Week One. We’ll talk about how to identify your needs, and set yourself up for success.

Week Two:

  1. Narrative trajectories
  2. Personal anthologies

In Week Two, we’ll introduce the narrative side of the project. Drawing on David Denborough’s work with “everyday narrative therapy,” you’ll start to identify and explore your own life story. We’ll talk about personal origin stories, and how to create an anthology of your own formative positive moments. These positive story will work with your self-care plan to help give you a solid grounding in self-compassion and non-judgmental self-awareness. For many of us, the negative stories are easier to believe and easier to call to mind, so although this week is focused on the positives, it’s definitely going to be a bit uncomfortable at times. Good thing we have a self-care plan in place!

Week Three:

  1. Writing and trauma recovery
  2. Externalization
  3. Other benefits of expressive writing

Week Three will dig deeper into the specifics of how writing can be used to work with trauma and other issues (such as focus at work or school, or managing depression, anxiety, or other mental health issues). We’ll talk about how trauma impacts the body, and some of the research into the health effects of trauma. We’ll also talk about externalization, and start practicing seeing problems as being something outside of ourselves, rather than something inherent to ourselves. If that sounds weird and counterintuitive, don’t worry. I’ve got exercises and simple explanations to make it more accessible and engaging.

Week Four:

  1. Expressive writing
  2. Self-care

This is it. We’re doin’ it! In Week Four, we’ll put our self-care plan into full effect, and engage in four days of 15-20 minutes of writing about an emotional topic. If you’re a trauma survivor, don’t worry – you don’t have to write about the scariest or most challenging – we’ll talk about a wide range of potential topics and you can write about whatever feels right for you. You will have access to all of the course materials even after the course wraps up, so you can always come back to it as many times as you want.

Week Five:

  1. Reframing, reshaping, recovering

We’ll take the body of writing (or drawing, or talking, or dancing) that you’ve generated over the last month and start thinking about how it fits into our narrative trajectory – the path we want our lives to take and the path we see ourselves having already taken. We’ll talk about how to use the skills and tools we’ve gained so far to reshape and reframe our stories, and to use these narrative strategies to recover from traumas and difficulties.

Week Six:

  1. Tools for a sustainable practice
  2. Discussion and wrap-up

In our final week, we’ll talk about how to use these tools going forward.

I am so excited about this course. I have used writing as a coping and healing tool for decades, and writing has gotten me through some of the worst times in my life, and helped me appreciate some of the best. Telling our stories intentionally, compassionately, and wholeheartedly has the potential to change the way we see ourselves in the world, to help us feel centered and strong in the stories of our own lives.

Using Tarot (and other woo) as a Self-Storying Tool

Using Tarot (and other woo) as a Self-Storying Tool

This is a companion post to last week’s Tarot, oracle cards, and other woo. This writing is supported by the amazing people on my Patreon, and access to these posts is a week early for patrons. If you enjoy my work, please consider supporting it!

Last week’s post was about how I developed an interest in tarot, and how I used it as a self-care and survival strategy during a difficult time in my life, and have continued to use it since.

Today’s post is about how you can use tarot (or oracle cards, or runes, or whatever other visual or tangible or guiding woo you’re into) to help you understand and heal your inner narratives.

This is also something I offer coaching clients, so if it interests you and you want some help with it, that’s a thing that can happen! Send me an email if that’s a think you want to arrange.

But this post is about how to do it yourself.

First, and critically – it doesn’t matter if you believe the cards are magic or not. This exercise isn’t about telling the future or anything supernatural – it’s about using cards as prompt generators to help you tell your own stories, and creative lenses to help you view your own experiences.

I am not going to judge you either way – you can see this process as connecting to something mystical and spiritual, or you can see it as connecting to your own subconscious, or you can see it as some kind of blend or blur between the two, and that’s between you and the cards (or runes, or whatever. I’m going to keep saying cards for the sake of simplicity, and also because tarot is the most easily accessible method for most folks).

This is an introduction to some exercises focused on claiming your narrative, and centering yourself within your story.

It’s all about you, the author. You, the protagonist. You, the hero.

So often, we do not see ourselves as the main characters in our own stories and we do not hear our own voice within the story. Especially if we are marginalized and subjected to a constant stream of stereotypes and toxic narratives, it can be very difficult to find our way back to the centre of our own stories.

This is one narrative tool that can help centre you in your own story.

So, choose your deck.

If you don’t want to spend any money on it, and don’t have a deck already, there are tarot apps (I had the Golden Thread app on my phone for a while but I like physical cards better), and there are lots of random tarot card generator websites.

If you’re buying a deck, spend some time in a bookstore or online shop (I love Little Red Tarot‘s shop, myself). Pay attention to how the artwork feels. Read a little bit (or a lot) about what the deck creator was hoping to accomplish. The artwork has a strong influence on how the deck feels, and a steampunk deck tells different stories than a manga deck, and they both tell different stories than a high-concept art deck. Try to find a deck that feels comfortable, with artwork that feels welcoming.

My own personal advice would be to find a deck whose creator has politics you agree with. For me, that means I want decks that are, if not explicitly queer, then definitely queer-friendly. Knowing that the deck’s creator is queer and/or feminist, and aware of issues of cultural appropriation, is really important to me.

Gender is also a big deal. There’s a lot of gender essentialism in a lot of woo spaces, and if that bothers you, or if that will trip you up by hooking into some toxic internalized narratives you’re struggling to clear, keep it in mind.

This is why you’ll never find a Rider-Waite deck in my hands, because I struggle too much with cis and heteronormativity in my own life, and that extra step of reinterpreting the cards outside of their normative origins is just too much for me. (The exception might be for Trung Nguyen’s reinterpretation of the Rider-Waite, but I don’t own that deck yet.)

Although there are a lot of people doing amazing work around queering the tarot, it’s an active and ongoing process. Make it easy for yourself.

Similarly, a lot of tarot decks are full of people who are very white, and very thin. Racism and cultural appropriation and normative beauty standards and ableism, just like gender essentialism and sexism, are all over the damn place. This is meant to be a practice that centres you, not one that further marginalizes you.

There are some great tarot blogs written by QTPOC tarot folks, and they are worth seeking out. I particularly love Brownstargirl Tarot and Asali Earthwork.

Whatever you need to see in your deck, seek it out. You do not need to force yourself to tell stories with a deck that doesn’t represent you, and this is a practice of self-storying. Be demanding. Take up space.

And keep in mind that your deck doesn’t have to be full of humans. The Wild Unknown is one of my favourite decks because it’s all animals. Sometimes we’re able to see stories more clearly when we get a little bit outside of our anthropocentric framing.

Think of your deck as a collaborative coauthor in the stories you’re going to tell for yourself, to yourself, about yourself.

Find a coauthor whose voice you enjoy.

(There have been decks I thought I would absolutely love to tell stories with, and then just couldn’t. The most notable, and in my opinion tragic, example is Egypt Urnash’s Tarot of the Silicon Dawn, which is amazingly and delightfully queer and trans and full of delicious diversity, but for some reason it just never resonated for me. I gave that deck away to my sister, and they sass-talk each other regularly.)

Once you have your deck, start flipping through the cards. Which ones really appeal to you? Pull them out, and read up on them.

I’m pretty picky about where I get my tarot interpretations from. I have a couple books I really enjoy, but mostly I head over to Little Red Tarot, or I read the guidebooks that come with the cards, and offer the deck creator’s own spin on things. (The exception to this is for my Wild Unknown deck – I prefer Carrie Mallon’s interpretations over the guidebook.)

Google around, and again, be picky. You don’t have to settle for anything less than decks and interpretations that fully and clearly acknowledge your relevance and presence.

Trust your intuition, too. This is your story. If there’s something in the imagery of a card that really jumps out at you, that’s worth noting, even if no other blog or book confirms your interpretation.

Once you’ve found the cards that really sing for you, try arranging them. Can you tell a story with those cards? Do they connect to memories or experiences or feelings?

Think of the cards as doorways into your own personal library, recommendations for which of your personal books to read next. They don’t tell new stories, but they might suggest taking a look at things from a new angle. And what you see in the cards can tell you a lot about what you’re focused on, worried about, or needing to process right now.

Play around with various spreads.

Try pulling a card a day for a week or two, and see how it feels. You can either do a random draw, or you can flip through the deck and pick the card you like best for the day, or some combination, depending on your mood. Do you notice a theme? Do you have a strong emotional reaction to any of the cards?

Try a simple two card spread – the situation, and the commentary.

Try my favourite three card spread – the situation in the centre, the right path on the right, and the wrong path on the left. How does that feel?

If you want a book of spreads, I highly recommend Beth Maiden’s PDF, available in the shop linked above. One of the spreads in there (the complete circle spread) was actually designed for me when I commissioned a reading from her. It’s really lovely.

Once you’re familiar with your cards, and with yourself as a reader, start telling (and exploring) your stories.

Think of a question you want to answer for yourself, or a situation you want to explore.

Shuffle your cards, and start laying them out.

You can do a past-present-future spread for the situation, and see how it feels. Are those the right cards for you? Spend some time with it. How does it feel? How do you react to the cards?

Does the future position reflect your fear? Your hope? Neither? Can you use that card as a prompt to write a vision statement for your hopes, dreams, fears, or anxieties about the future?

Does the past position reflect your pain? Your joy? Neither? Can it be used as a prompt to jog your memory, and help you reframe experiences?

Pull more cards if you need to, switch cards around, and engage in the conversation.

What do you need to know?

What does your reaction to the cards tell you about yourself in this moment, thinking about this situation?

Keep a little tarot journal to document your process.

There are two pieces of advice I would recommend, whether you approach the tarot as magical or metaphorical –

First, try to stay focused on a single question or theme at a time. You can follow that theme down a rabbit hole of related questions, and that can be very productive (ask a question, then realize the card has piqued your interest in another question, etc.) but don’t ask ten questions at once. It gets overwhelming and confusing, and, often, when we are trying to ask a whole bunch all at once it’s because we are frustrated, feeling out of control, and uncertain of ourselves.

Use the cards as a way to narrow your focus and gain a sense of self-direction. This is your story. You are the protagonist of this story. You don’t have to do it all at once.

If you’re really struggling with finding a single question because you don’t know how to narrow your focus, do a single card draw and then just sit with that for a few minutes. Make yourself a mug of tea and think. Is there a single question that card could connect to?

And second, pay attention to how the process feels for you, and make sure that it is bracketed in ways that help you feel safe and stable. Bracketing is a practice of having some sort of ritual that starts the process and ends the process – for me, with tarot, it’s the shuffling. I shuffle when I start, and I shuffle again when I’m finished. I also keep each deck in some kind of container – a purple cloth for my Shadowscapes deck, the boxes they came in for most of my other decks, and a little plexi case for my Tea and Empathy cards. Taking them out and putting them back brackets the process for me.

I have noticed in my own tarot-enhanced narrative practice that, at certain times, the cards feel less like a coauthor of my story and more like a dictator of my fate. Particularly when I’m feeling out of control and anxious, my superstitions get in the way, and I start scanning the cards for some magical truth and a message from the future. Rather than feeling centered in my own story in those moments, I feel completely separate and silent – waiting for some supernatural hand to author my story for me. In those moments, pulling random tarot cards is not the most effective or holistic self-storying tool. Recognizing that I no longer feel centered in my story, and that I no longer feel like it is my story, is important (but difficult!) It requires a lot of self-awareness to notice our superstitions taking over. It is more effective, and gives me back a sense of agency over my narrative, to draw cards intentionally rather than randomly, or even to use other methods (like free-writing in the my journal, or talking things through with a friend or counselor). Using tarot as a narrative tool doesn’t mean you can only use tarot. You have many stories, and they can be told in many ways.

Good luck, my friends! Go forth and tell yourself your own stories.

Resources for further reading:

Tarot Reading For Skeptics, Cynics, Nonbelievers And Side-Eyers – this post by Lesley Kinzel explores the history of tarot, answers some common questions, and offers a few suggestions for decks (including the Gummi Bear Tarot, which sounds hilarious and adorable).

Beth Maiden’s Favourite Tarot Decks – My favourite tarot blogger talking about her favourite tarot decks.

#TarotSoWhite: A Conversation about Diversity in Our Cards – Another Little Red Tarot post, introducing and beginning to explore the #tarotsowhite hashtag and the important conversations happening around the issue of diversity in tarot.

Gender Essentialism in the Pagan Community – A short but insightful Tumblr post that highlights some of the gender essentialism that shows up in a lot of woo spaces.

Everyone’s Spirit Animal Should be Cultural Sensitivity – This post by Samantha Gross is a brief intro into cultural appropriation and respectful alternatives. It’s written by a white person for white people, which is important because people with privilege need to take responsibility for educating other people with privilege. However, if it’s a topic you want to learn more about (which I highly recommend), it’s worth seeking out Indigenous writers sharing their wisdom and experience. Native Appropriations is a great place to start.

Autostraddle’s Tarot tag is full of great posts by queer writers.

What Makes a ‘Feminist’ Tarot? – this post from Autostraddle is a great introduction to recognizing and finding feminist tarot decks. (And it’s by Beth from Little Red Tarot!)

Tarot, oracle cards, and other woo

Tarot, oracle cards, and other woo

This post is part of the Spring series! You can read about the Spring theme in this public post on my Patreon. This post was available a week early to patrons, so if you want to read more, and sooner, consider supporting me!

I have always loved metaphors. And ritual. And things that are slightly mystical and shrouded in secrecy and specialness.

How badly did I want to be Morgaine in The Mists of Avalon?

Prettttttty badly, lemme tell ya.

Badly enough that I dressed as Morgaine every Halloween for six years in a row (possibly contributing to my lack of popularity in junior high), and I reread that book every year for more years than that, and when I decided to Go Goth or Go Home in grade 10 (a story of self-definition for another day), Morgaine was my template.

And so, of course, it is a pagan sort of woo that draws me.

(Did I once embroider an assortment of mystical symbols into a black cloak I had made for myself, because I was both Gother Than Thou and crafty af, and maybe also just desperately wanted to be magical? Yes. I did.)

But when it comes to self-care, tarot is more than just another iteration on a lifelong theme.

I came to tarot (or tarot came to me) at one of the lowest points in my life.

I felt like I was dying. Not to be dramatic, but I am pretty dramatic, so… I felt like I was dying.

I was desperate for hope.

I was desperate for another story.

A friend offered me a tarot reading. I said yes.

They pulled some cards for me from the Wildwood Tarot (a deck I still don’t own, and would very much like to someday) and they told a story that resonated for me (because my friend does tarot like I do tarot – conversationally).

The story was hopeful.

The story was about survival, and about persistence.

The story was exactly what I needed.

(Fun fact, every single story a tarot spread tells can be about survival and persistence. Tarot is, after all, the story of journeying through many stages of selfhood.)

After my friend read my cards and gave me back a shimmer of hope, I bought my own deck.

I landed on Stephanie Pui-Mun Law’s Shadowscapes Tarot , and it’s still my favourite deck. I love the colours, I love the art, I love the stories that the cards tell me and that I tell with the cards. It’s a gentle deck. It’s a little bit sassy. It’s soft, and welcoming. All fae creatures are genderqueer, in my imagination, so the deck feels welcoming for me as a genderqueer reader, too. (That’s important. That’s why I don’t own and probably never will own any of the standard decks. I want my metaphor magic to be queer and genderbendy.)

Then I found Little Red Tarot and got my second deck, The Wild Unknown . It’s sharper. A little more stark. Less sass, more ‘sit down and listen.’

I started reading tarot almost every day.

It was a hard time in my life.

I was seeing my therapist every week, and after every session, I would sit in the park by her office and read my cards. I bought a whole bunch of tarot books (that’s how I roll) and learned about card interactions and about the tarot suits and about intuitive and conversational reading. I did Little Red Tarot’s Alternative Tarot Course and found a space that welcomed my non-religious woo.

I bought the Fountain Tarot, which is beautiful and cold and I only use it rarely. It’s not nearly as welcoming or intuitive for me – it speaks a language I’m not as fluent in.

I bought more books.

I added crystals, because if you’re going to survive on the strength of your woo, you just may as well. I bought a whole bunch of oils from Twilight Alchemy Lab.

I used tarot to get me through some very dark, very long, very desperate days. And nights. And weeks.

“Can I keep going?” I asked the cards.

The answer was always, always yes.

Every card in the tarot deck can say yes.

Every story can be a story of survival, a story of persistence.

(Every card can say no. Every story can be a story of ending. We write our own stories.)

Eventually, as the tarot deck promises, the wheel of fortune turned.

My life stopped being so awful.

I stopped reading tarot so often.

Now, I have more decks. I have a couple oracle decks. I read my cards less desperately, clinging to those metaphors a little more loosely. I no longer feel like I’m going to die. My questions are a little less fingernails-digging-into-the-crumbling-edge.

But I still find a lot of comfort in the cards.

In the conversation.

In the answer that is always “yes, you can continue.”

***

When I was in junior high (or, as I like to call it, hell), I had a bit of a mental break.

I took all of the anger and hurt, all of the parts of myself that could not go on any more, and pushed them into a corner, and they clumped up in that corner like some kind of psychic dust bunny of doom, and they developed a personality (which was as sparkly and delightful as you’d imagine) and we had very many conversations through the long nights of asking “can I keep going?”

And unlike my cards, the answer was usually, “no. you should not. give up. stop now.”

I have often wondered what I love so much about tarot, since the woo does still give me twingy little feelings of anxiety (do I really believe in mystical tarot cards? telling me things? I mean… do I believe in mirrors? I guess? I don’t know. These questions are hard.)

I think that at the core of it, what I love about tarot, and oracle cards, and other woo – what I love is that it gives me a chance to have those conversations again, and instead of answering back to myself “no, stop, give up” and then fighting like hell to deny that dark pull, now I have those conversations and the answer is “yes, absolutely, you can keep going. you’ve got this. I believe in you.”

I have always needed those conversations to somehow be externalized. Either in the form of the psychic dust bunny of doom, or the cards.

I like the cards better.

Maybe it’s more that I like myself better, now.

I have better stories to tell.

That dust bunny still lurks in the corners, and even though she’s no longer splintered off away from the “real” me, still, sometimes I sweep her out gently into the light and give her a hug and let her tell me how nobody loves me and I’m stupid and there’s no point and I’m going to die alone and I should just give up now – she’s trying to help, in her own way. All my anxiety and trauma, all bundled up into something I can speak with, instead of something I have to be.

(This is not necessarily the most healthy coping mechanism and I am lucky to have found excellent mental health care, but it is also not something I am willing to disown or feel ashamed of. Externalizing my pain is what allowed me to survive my teen years, and whatever we do to survive, well… fuck it. We’re survivors.)

I love the cards for the way they let me tell my story in new and wholehearted ways. I love how tarot can be queered, and how there is so much power in these metaphors. I love how tarot traces cycles – small cycles through the year, and large cycles through lives, and huge cycles through human nature.

I love how people throughout history have found ways to make our magic, our metaphors, tangible.

I love us. Weird and woeful and wooful creatures that we are. Fae and fantastic. Strong and struggling.

I just got a new deck – an Animal Spirit* deck to go along with my Wild Unknown.

The first card I drew was the Fox.

The little sheet of meanings says, “Smart. Adaptable.”

I look at the card, at the fox, and take a breath.

Smart.

Adaptable.

I think, yes.

Good.

That’s a story I can hold.

*This is not a “spirit animal” deck, and I wouldn’t buy one that was. Cultural appropriation is a serious issue in contemporary woo, and, as this post on The Wild Hunt points out, “At its core appropriation is a form of violence and aggression against brown bodies and brown communities. It is a minstreling, a racist caricature that tells more about the frame of mind of the performer [appropriation is a performative act] then it does about the original practice or cultural significance. Not only does it cause harm through this mimicking of symbols and actions, but it further creates difficulties for seeing real images of brown people and our gods on community altars due to the fear of appropriation.”

Spirit animals, when used by people who are not Indigenous, absolutely are appropriation, and this post by Spiral Nature goes into some depth about how the language we use matters, and how even though animals are present as spiritual guides in many practices, there are relevant nuances. Whether we use our woo as a spiritual or metaphorical or religious or blended practice, we have to work to decolonize our language and our practice. From the post, “We must accept that the reason that the idea of spirit animals exists within occulture is cultural appropriation and the misrecognition of Indigenous beliefs, and had that early appropriation not taken place, there would be no such confusion now. Even if the practitioner does not otherwise engage in sort of pseudo-Indigenous practices as filtered through early spiritual texts, relying on terms like “spirit animal” is still cultural appropriation and should be avoided at all costs.”